Heaven is an imagination of the extreme illusion.  SS Surya’s latest collection draws from the illusion of heaven, which to him, is pure and white.

The garments have a classic silhouette with hints of neutral tones like ivory-white, offset with bold patterns helps to ornate the tranquil feel of the new collection. Added to the garments are natural elements such as flowers, leaves, fruits, butterflies, fish, birds and lions which give a 3D feel to the ensembles.

Designer SS Surya excitedly says, “I have used only cotton for this collection.  Its edgy and flawlessly sexy with its classic elegance.  I’m very excited about this collection since it is very dear to my heart!”

The designer will present “The Royal Summer Affair” collection at the upcoming the LFW Summer/Resort 2015. As the name suggests, the collection is inspired by a girl from a royal family, who invariably is subjected to various disciplines in life. This summer she wants to let loose and is dreaming of a romantic affair.

For the soft, flirty and dreamy mood, Arpita has created contemporary Indian silhouettes in creams  and nudes flirting with a dash of bright pop colours like royal pink, indigo , lime green and peachy coral going into pastels of the same colour palette and then graduating to a subtle version of creams and nudes.

The collection includes, embroidered peplum tops merging into sheer draped dresses, long sheer jackets teamed with sheer skirts, summer skirts with layered cami tops.

Designer Anushree will present ‘The Royal Courtyard’ collection at LFW SR’15. Taking inspiration from the home of the Nizams, where enchanting begums have redefined grandeur, each design brings with it an amazing feeling of being a part of history.

Soft peaches, light pinks and warm blush caramel tones in sumptuous silks, flowy georgettes and ethereal tulle compliment and replicate the extravagance that prevailed at that time. The delicate embellishments add a romantic and mythical affection to the collection whilst the delicate zardozi work, adorned with signature beading and twinkling crystals in an array of molten golds and antique metallic silvers bring back to life one of the sole preserves of royalty.

With elaborate techniques, lively colours and decadent drapes the collection celebrates raw sensuality and provides the perfect window to live in your heritage and yet be modern.

Contributed by – Duhin Ganju

(DAY – 6)

With fashion plummeting to great heights, Day 6 of Parisian grandeur witnessed some of the biggest names in fashion showcase a wide array of awe-inspiring garments that were a perfect combination of effortless craftsmanship and heritage design aesthetics. From Chloe’s minimalistic seventies trip to Kenzo’s sci-fi inspired fantasies, it was day filled with glamour that was portrayed with a touch of modernity. As fur overcoats and Boho dresses were the frontrunners, fabrications like velvet and super soft silk were incorporated onto the body-defining garments.

The day started with Kenzo, under the design direction of duo Humberto Leon and Carol Lim, the brand showcased an intriguing collection that married modern aesthetics with the brand’s rich cultural DNA. Inspired by the Sci-Fi’s robotic era, garments portrayed a sense a sense of togetherness that was incorporated onto utterly feminine silhouettes. Silk ponchos and squishy tunics dresses were emblazoned with abstract graphics, paired with asymmetrical skirts and form-fitting trouser pants. Tailored jackets with velvet lapels were worn over geometric-patterned tops and knee-length pencil skirts. Weatherproof jumpers and blanket ponchos were densely embroidered with uni-linear zigzag patterns, as duffle bags and aviator sunglasses made the perfect accessory duo. Peter Pan-collared coats were extravagantly lined in shearling, as flared silk dresses were worn under classic suede bombers and fur-layered cashmere cardigans. Short duffle coats and donkey jackets were wrapped over u-shaped form-fitting maxis with asymmetric skirts, as colorful platform boots were patch worked to perfection. The models were enveloped in a bold color palette comprising of rich pastels like emerald, bright yellow, steel grey, tangerine, navy, deep burgundy and jet black.

Moving onto Emanuel Ungaro’s collection that was a checkerboard of classic shades in black and white. The looks were sleek, sharp and urban as models donned ensembles that were tailored to perfection. Garments revolved around circular elements in varying radiuses as shown on cashmere cardigans, sheer pleated skirts, and sequined details on outfits. Interesting styles were displayed through pleats, which were incorporated in peplum flares, fanned tops, sparkly skirts and dresses. While most of the silhouettes were body hugging, the designer also displayed vertical rectangular looks with an androgynous aesthetic. This included high-waist regular-fit pants, capes, structured blazers and long coats. Leather pointed-toes and suede knee-length boots complemented the looks perfectly. Dark lips and flushed cheeks further added to the drama.

Next in the lineup was French label Céline, who did a fine job in delivering subtle structured garments apt for any dynamic modern woman. Models donned garments with utmost simplicity and uber-cool sophistication. Inspired by the rich and modern cultures, textured furry overcoats were worn over cashmere cardigans and artisanal-embroidered harem pants. Deep V-neck dresses were color blocked to perfection, as one could see a lot of leather patchwork emblazoned onto crepe tunics and French collared tunic dresses. Conical bra dresses and slouchy leather numbers were accompanied by patch pocketed jumpers and printed shirts with a winged-tip collar. A-line topcoats were clasped to the waist with a sleek leather belt as plunging jumpsuits were worn over built-up cardigans cap-sleeved tees. A lot of split dresses were provocatively split into several places as buttoned shoulders were peeled away from the corsets, adding onto the ‘hyper-lux’ effect of the entire collection. Ethereally feminine and carefully structured, humungous shopper totes and leather sneakers perfectly accessorized each and every look on the fashion runway as models were drenched in sober pastels of beige, tangerine, ink, burgundy and camel.

Lebanese designer, Maison Rabih Kayrouz, showcased a collection that was relaxed, chic and functional everyday-wear. The color palette was sober in shades of white, black, dull brown with a dash of pink. A minimalism approach was adopted when it came to design, with primary focus paid on cuts, drapes and the silhouettes projected. The silhouettes were comfy enough to make you want to jump right in those clothes! Asymmetric lengths were shown in ethereal white skirts in varying hemlines. Polka dot tops brought about a 80s’ glam! Elements of European heritage like tartan checks featured on knee-length and floor length dresses. There were undertones of bohemian fashion with tassels making it to the runway. The designer followed his design aesthetic consistently till the end with chic floor-length gowns with minimal embellishments in gold, blue, brown and white.

Following the French trail, Chloé showcased a collection that comprised of clean silhouettes with masculine influences, followed by modern minimalism and a fine balance between textured fabrications. Inspired by the rich era of the seventies, clothes spoke of the free-spirited and effortless attitude of an elegant Chloé girl as models were enveloped in a subtle color palette that comprised of bold pastels like burgundy, almond, aubergine, sky blue, mustard and faded pink.  Double-breasted overcoats and form-fitting pea coats were accompanied by exaggerated lapels as each one was worn over flared sheer dresses and billowing u-shaped tunics. Bell-shaped capes and floor-length shearling cabans were matched with thigh-high suede boots and small strappy handbags. Plunging maxi gowns and V-shaped elegant numbers were appliquéd with macramé lace detailing, as tailored velvet waistcoats were matched with form-fitting trouser pants. Denim jumpsuits were lined extensively with rich shearling as fringed shrugs were slouched over strapless velvet gowns and embroidered Bohemian dresses. Elegantly romantic and daringly sexy, slender silk scarves were wrapped around each and every model as they walked onto the runway wearing a wide range of lacey outfits.

Moving onto the master of grandeur and drama, John Galliano, showcased a modern collection with rich tones, followed by quirky metallic printed shorts, double-breasted coats and fitted pants. The designer infused rich earthy tones of bronze that stood out in tulip skirts, tailored jackets and ankle-length coats. Soon, there was an amalgamation of prints and metallic tones as observed in the pleated off-shoulder dress. There was a burst of violet on the runway with knee-length boots, a loose ankle-length gown and a short dress drenched in the vibrant shade. Floral prints were evident on the runway in fitted short dresses, gowns and embellished tops. Overall the collection did depict grandness with the richness of color along with a chic and modern outlook.

Akris’s collection was architecturally fluid and effortlessly feminine as each garment was dedicated towards an understated modern woman. With clean lines and perfectly tailored garments, models were wrapped in a simple color palette that included pastels like white, beige, steel grey, black, sunshine yellow and gold. Leather jackets were worn over body hugging knitted dresses, as exaggerated lapels were incorporated onto the oversized shearling pea coats. Turtleneck cardigans were matched with belted tapered trousers followed by textured waistcoats and corseted asymmetrical dresses. A-lined numbers were paired with cashmere stockings and pointy patent pumps, as scooping peplum jackets were matched with silk flared pants. Zippered dresses and knitted tunics were embroidered to perfection, as column gowns and plaid suits made a comfortable attire for a day-to-day working woman. Metallic jackets and corseted baby dolls were appliquéd with hundreds of circular gold sequins, followed by plunging sheer gowns and warm fox fur wrap-around stoles.

Adding onto the luxe appeal, Jean Paul Lespagnard showcased a modern-school girl with an androgynous attitude through his collection. The color palette consisted of red, grey, black and blue. A quirky collection that incorporated both heritage prints like windowpane checks, plaid and modern abstract pieces. The cuts were very angular with a masculine streak possessed by exaggerated shoulders. The designer did not shy away from amalgamating both plaid and modern prints in some of his ensembles. The looks were accessorized with striped knee-length socks with sandals!

Day 6 ended on a high note with Givenchy’s AW collection that was inspired by the sumptuous cultures of the Victorian and Mexican era. Crafted from exceptionally fine fabrics, garments had a Goth approach as fashion became more appealing and wearable. With extensively detailed faces, models walked the runway wearing chunks of glitzy accessories as each one of them were drenched in dark pastels of black, rouge, cobalt blue and deep ombré. Form-fitting LBD’s were accompanied with intricate-laced bodices as each outfit was perfectly accessorized with leather boots and colorful suede numbers. A-line coats and textured baby doll dresses were crafted from rich fabrics like animal fur and extravagant shearling. Embroidered dresses with peek-a-boo cutouts were followed by peplum waistcoats and Spanish-inspired jackets that were tailored to perfection. Scooping jumpsuits, with lace bodices, were clasped to the waist with daring corsets, as plunging sheer dresses made a perfect evening number. Furry duffle coats were worn over crepe dresses that were carefully draped onto the feminine figures and contained couture-like beadwork as well as glitzy embellishments. A heavily embellished hemline and a form-fitting fishtail skirt accompanied cap-sleeved U-necked gowns.