Betsey Makes Us Smile :Betsey Johnson’s return to the runway, after two years, was well worth the wait.  The show opened with model thin, Kelly Osbourne, who strutted down a hay scattered runway with two bright green toy guns in hand; can you say Wild Wild West.  Johnson’s inspiration this season was 45 years worth of her own archives. "I’m working on my stuff, being very true-blue Betsey," she said.  The final look at the show was a dedication to the late designer Alexander McQueen. A model, adorned with enlarged red wax lips walked down the runway with a small bouquet of red roses and a sign that said, "LONG LIVE MCQUEEN!"

Buy Straight Off the Runway: Proenza Schouler designer’s Jack McCollough and Lazaro Hernandez are exclusively selling their runway bags on their website, proenzaschouler.com, 24 hours after their F/W 2010 collection on Wednesday, Feb 17 at Milk Studios.  Online shoppers can preorder the fall handbags straight from the runway through the recently introduced e-commerce on the site.

Unisex Clothing: Androgyny was the theme for Rad Hourani’s F/W 2010 collection. The show included both the male and female models dressed in tights, high heels, bike shorts, and layers of black. The coats had multiple compartments and zippers, so one piece could transform into several different shapes.  "Unisex is my main focus," Hourani told NY Times. "All my pieces are unisex so you can wear it feminine, masculine, a guy can wear it, a girl can wear it, at any age, anytime, anywhere…I don’t like to put limits to gender," the Canadian-born designer explained. "I think everybody is feminine, and everybody is born unisex."

Keeping Your Hands Warm: Gloves are perhaps one of the must-have accessories this season, so choosing the right pair can make all the difference.  They commanded lots of attention on the runways, each uniquely designed, with new variations of textures, fabrics, and colors.  Donna Karan’s long pair featured flower-shape cutouts that created a lacy-leather effect.  Chris Benz designed eye-catching lime-green furry mitts.   And Carolina Herrera’s just below the elbow gloves wove apple-red patent leather and suede together.

A Return to Elegance: Carolina Herrera, one of the most elegantly dressed designers in fashion, delivered a charming and glamorous collection fit for a lady.  The clothes were an outright presentation of pure luxury, with fur trim, voluminous sleeves, and wide-leg silk pants.   She impressed the critics right down to Cathy Horyn of the New York Times who wrote she “seemed to put more of herself into the clothes,” including a dress printed in tiny reproductions of a family photo.  WWD added, “The embrace of opulence felt oddly comforting.”  Everyone seemed to appreciate the designer’s return to elegance.

Feeling the Cut Backs: After throwing one of the most lavish runway shows last season adorned with five grand pianos lining the runway, Zac Posen cuts back substantially for his latest collection.  As recession woes hit designers, especially small companies like Posen, it’s sad to see how they have to hold back creatively.  The collection was far removed from Posen’s usual obsession with ball skirts and gowns, but in their absence, he focused on sportswear for the season.  The collection was a combination of pantsuits with a forties flair, luxe coats to brightly colored separates, stacked Plexiglas bangles and pom pom peppered shoes, which all worked together to deliver something cohesive and vibrant.  Keeping his core customer in mind, Posen maintained high and sexy hemlines, yet provided something for the conservative set in straight-legged satin pants and mandarin collar jackets.

The Devil Really Does Wear Prada: Former Vogue cover girl, Paulina Porizkova, seeks revenge in a Huffington Post blog after she gets snubbed by Anna Wintour in the ladies’ room at a recent AmFAR benefit.  Porizkova writes: "I walked in and almost straight into Anna Wintour.’Hi, Anna,’ I said brightly to Anna’s mirror reflection. Her large eyes in her large head flickered. And with the slightest nod, one that may have been a twitch, she left me standing at the sinks. I admit I felt a bit more than slighted, I was after all, on quite a few covers of her magazine, and the glance she gave me is one I’d give to an expired carton of milk. I am aware my expiration date (as a model) is long past, but a slight acknowledgment that I wasn’t the bathroom attendant would have been nice."

Jacobs Pleases the Crowd: To start the F/W 2010 show, Marc Jacobs and Robert Duffy appeared on opposite corners and ripped away brown paper covering a simple wood stage at the end of the runway, revealing a tableau of 56 models elegantly dressed in a palette of soft neutral colors, pale pastels and demure shapes.  Heightened by Frederic Sanchez’s soundtrack, covers of “Over the Rainbow” blared out the speakers as the first girl took to the runway in a gray sweatshirt with a crisscrossed back, tweedy gray culottes and ankle socks.  To those familiar with the designer’s early work, it all seemed to be a case of déjà vu. The collection was 180 degrees removed from last fall’s wild Eighties theme but the design process remained constant. “Everything is a celebration of something, whether it’s beige or Day-Glo yellow,” Jacobs said. “It doesn’t have to be a thing. You can make a thing out of anything you’re passionate about.”

Victoria Beckham Charms Them: In an intimate presentation for about 20-30 people, at the grand Upper East Side room, Victoria Beckham had quite a posh affair.   With an audience that included Carine Roitfeld, Nina Garcia and Karl Lagerfeld, you have a room filled with fashions most respected.  Victoria Beckham’s Dick Tracy-inspired fall collection charmed the critics, not to mention her personal greetings and look-by-look narration. British Vogue called it “a very beautiful collection that evolved her body con aesthetic,” and Style.com declared that “there wasn’t one bad dress in the bunch.” Most critics noted the evolution of Beckham’s designs, admiring a “newfound focus on draping and fluidly.” 

The Kolkata Fashion & Lifestyle Week in its all new avatar commences from the February 24th, 2010. This fashion week is being spearheaded by Yudhajit Dutta the dynamic Managing director of Purple People Entertainment. After the split with the Kolkata Fashion Week it has come forward as a very promising event for the city with renowned designers like Narendra Kumar, JJ Valaya, Satya Paul, Zubair Kirmani, Samant Chauhan showcasing here.

As Yudhajit says, “The KFLW is not Kolkata centric but it aims towards a national platform for fashion but there is no doubt that it proves influential for the designers from Kolkata and also satisfies the growing demand and awareness of the fashion conscious city.”

The theme of the event this year is Eco Fashion, which refers to clothing and fashion that is environmentally sensitive fabrics and uses eco-friendly production techniques. The theme has been selected in view of the fact that 2010 has been declared the ‘year of biodiversity’ by the United Nations. And hence the designers showcasing at KFLW will present at least one line of eco sensitive collection. The Fashion Week is also propagating the cause for SAVE Tigers and in this endevour the after parties at the fashion week have paid passes, the proceeds from which would be donated towards the cause.

On the question of the increasing number of fashion weeks in India Dutta responds, “There are both good and bad points to any clause and so is the case with the fashion weeks as well. We at KFLW embody a serious take on fashion and business and we are spending a lot of money in organizing the event. Thus India with a population of more than one billion can be represented more than two or three fashion weeks as per the increase in awareness and reach of fashion in the country.”

The young designers showcasing at the KFLW have been through a selection procedure and proved themselves on the basis of their design and creativity.  And thus young talent such as Arjun Agarwal, Aarti Vijay Gupta, Debarun Mukherjee, Gopal Roy, Jaya Mishra, Radhika Sayantan, Souvik Aditi, Soma Nath and Tejas Gandhi will showcase their creations on the same platform. The models sashaying down the ramp are all Elite models. The buyers list is also quite an exhaustive one with national and International buyers already signed in for the event.

“Kolkata has open handedly welcomed the fashion week and the design fraternity has also registered serious business and overwhelming clientele which brings the designers back again to the city. Also designers like Dev r Nil who haven’t had the need to showcase outside Kolkata since the inception of the fashion week in the city. Thus we aim towards a serious fashion business at this fashion week and it’s not a show just for the sake of having a fashion show,” says Yudhajit Dutta.

The Indo-French designers have united not only the East and the West but also the past to the future. Their early years were spent in Paris at an Haute Coutre House, a field where garments are unique pieces of art, handmade to perfection abiding the principles of a secular manufacturing tradition. They later moved to India where they continue to work with an identical approach, but at a Hi-tech industrial level. Their new headquarters thus unite the concept of an atelier or traditional workroom with ultra modern cutting edge technology, a challenge to create a unique product.

To divulge you more on this duo, we bring you Hemant in an exclusive tete-a-tete with Fashiofad.in :

Tell us the story of how and when you started with your label?
I have never been seriously interested in anything else than fashion in my life and have thus not ever have had to search – all my youth was thus a build-up to get into this business. When I met Lecoanet in school in Paris we started working together within days of meeting and it has stayed like that – setting up the company and the label etc were just natural in this context

Which designer gave you the most inspiration in your fashion career?
Many and nobody in particular

How do you look back on your journey as a designer?
I don’t really look back except for reminiscing, I find present tense much more exciting, in fact present tense is the only place you can do things in life.

If you are on a budget and can afford only a great haircut, a great handbag, or a statement coat, what should you invest in to give you the most personal style?
A haircut … the rest can be improvised

What is your thought on the future of fashion? More specifically, what kind of changes will you bring to your brand?
What I do today was partially decided in my youth, other things, more details maybe just this morning. There is no future of Fashion, only Present fashion, the rest is planning it out … I plan a continuation of my own logic … no revolutions

What inspires you most to design? 
I believe in being creative, full stop. That includes writing, sports, cooking even financials

What house/brand would you design (for?) if you were not Lecoanet Hemant (?) and why?
That’s science fiction

The clothing you create is amazing. How do you keep going even through the hard times, or design blocks?
Design is about 0.5% of the work and usually takes about 15-20 seconds … recognizing its subjective value is the key of understanding … knowing how to make it is everything .. there is nothing like a beautiful design that is badly crafted … to me it’s bad design … or rather just bad!

Which was your inspirational item or person when you came up with your first collection?
Like all first collections this was full of ideas, in fact simply too many… the following years were needed to simplify … The first collection in haute Couture in Paris was an "Ode to the Monsoon"

High fashion can be very expensive and also ephemeral; keeping this in mind and the fact that there is a global economic crisis, not to mention a growing percentile of famine, poverty, pollution, disease, and conflict, what advice would you give in order to maintain a personal balance between investing time and money in fashion and altruistic involvement toward improvement in society and the environmental?
The more High Fashion is expensive the more it fights again poverty in the world: …  which also means the cheaper fashion is the more it helps develop poverty in the world. High Fashion is transparent management with ethics and higher salaries than the rest which lives by bargaining cheap labour down, is unethical, often does not pay taxes and encourages black money. Please reconsider your question.

What are the fashion essentials that a person has to have in order to exude glamour?
I don’t know … maybe glamour?

Which decade do you think is most important to fashion, and how are you inspired by that decade?
I live and work now, knowing the history of your business is super important but will never be anything else than history and a lesson … what you are doing now is the exam.

Akaaro is the first alphabet in Sanskrit and aptly resonates for a brand or design philosophy that is rooted and yet contemporary and directional. Akaaro was launched at the prestigious ORIGIN: The London Craft fair in 2007 and has been a regular since then. The designer behind the label is Gaurav Gupta who creates and weaves hand woven garments and accessories through Akaaro. He has his studio based in Delhi and showcases internationally and is known for his innovative textile with engineered and cutting edge designs. Gaurav is trained at Chelsea College of Art and Design London in Woven Textiles and National Institute of Fashion Technology Delhi in Fashion and Graphics. And it was here that the seeds of Akaaro first sprouted in him. When still in college he was regular at the London Craft Fair and had always dreamt of launching his label from that very platform. And thus his dream came true when in 2007 his application was selected.

Late last year Gaurav Gupta was selected for the prestigious “Shared Talent India” Project for promoting Indian sustainable textiles an initiative by Centre of Sustainable Fashion, London which was exhibited at London Fashion Week. With coverage in some very prestigious selected publications (SELVEDGE, U.K) Gaurav s studio has been identified as one of the most promising young studio out of India.   He was invited to co-curate and exhibit in a specially curated show called London Calling in Tokyo on the commemoration of 150 years of British and Japanese Friendship in October 2008, the same was inaugurated by Professor Jimmy Choo in Tokyo. Following this he was asked by Professor Jimmy Choo to design a fabric for a pair of sling back for RSA in India. He has recently been invited to exhibit at ALL TIED UP a special curation which showcases works of 14 most contemporary textile designers internationally. The work is on display at the moment at the Ruthin Crafts Centre in Wales till March which will be followed by another showcase in Bath where he has been invited to exhibit at Bath Festival in May.

Gaurav who would prefer calling his collections as design projects is man who is highly aware of his environment adopts inspiration from whatever he sees, hears, and feels thus no wonder that his creations have reached a level where the product is able to evoke feelings. Unraveling the different layers and dimensions of his work Gaurav codes his design perceptions as very visual thus he has interpreted his trip to Ladakh in garments, one of his inspirations was the movie Babel (which keeps shifting from city to city and sets the co-relation between something happening at one end of the world to the other end) and yet another time he translated everything fragile around him into clothes. He works on fabrics like silk, wool and cotton where the textile is also designed and created at his studio.

His association with the prestigious Central Saint Martins London as a trend forecaster from Delhi in 2006 for a British publication called Preview has a prolific expression on his design behavior. As he cultivates a fashion pattern that is progressive and holds the opinion that designers are one of the tangents on which fashion forecasts are based.

Akaaro products retails from selected galleries, stores and museums across England, Tokyo and New Delhi along with some British websites. And Gaurav Gupta is about to make his debut in India very soon at WIFW.

Fur-ever: Fur was a common theme at Thursday’s shows including Richard Chai, Vena Cava, Chado Ralph Rucci, Jen Kao and Cushnie et Ochs (who used silver fox fur thanks to the label’s sponsor Saga Fur) "I believe people will buy fur in the fall. It keeps you warm," said Bloomingdale’s fashion director Stephanie Solomon. "And for those who don’t like the idea of fur, there is great faux fur."

Lingerie Trend Continues at Preen: Talented duo Justin Thornton and Thea Bregazzi made an impact on Fashion Week delivering a sensational show for Preen’s F/W 2010 collection.

Opening the show with a floral bustier dress worn with a cropped turtleneck knit, that exposed a band of skin in front and a bra strap in back, one could only expect more exciting things to come.  And they did!  For the first part of the collection the pair drew inspiration from Peter Saville’s floral album-cover design of New Order’s Power, Corruption & Lies and later they “wanted to add masculine tailoring,” said Thornton.  Almost every look incorporated a strapless bra, which was visibly worked into the design of the dresses and shirts.  Looks like spring’s lingerie trend will stick around for fall at Preen.

Attention Model Down!: It was over at Naomi Campbell’s Fashion for Relief show on Friday Feb 12, 2010, which benefited Haiti, that supermodel Agyness Deyn, fell not once but twice.  Agyness took it like a trooper; she laughed, dusted herself off, removed the killer 7” Burberry shoes, and curtsied, then made her way down the rest of the runway.  She tweeted, "1st show of fashion week! Took a tumble! Got up! Fell again. Should have stayed down the 1st time. Twice! WTF! Ouch my knees!"

Fresh Faces: Barely there makeup was a trend for the F/W 2010 shows.  Rag & Bone, BCBG, Yigal Azrouël all favored the looks for their shows.

University Rocks: Spirits were high over at the Academy of Art University’s F/W 2010 show, where students had the chance to show off their designer skills for NY Fashion Week.  First up, Marina Solomatnikova’s Georgia O’Keefe inspired looks where she worked suede into flattering suits and dresses; then Bethany Meuleners who combined knits and wovens for a Duchamp-inspired lineup of navy dresses and bodysuits.  For Steven Oo’s collection of knitwear, the designer looked to architecture to translate very hip black sweater dresses and coats.  And, with her jeweled out felt coats, combining both craft and design, Sabah Mansoor Husain offered refined outerwear with light-catching color.

Model Radar: Jersey born supermodel Jacquelyn Jablonski may have a long week ahead.  The editorial superstar, who was hired in campaigns for D&G and Celine, opened for Charlotte Ronson and Yigal Azrouël.  Last season the model booked 58 shows…stay tuned for the end of season tally.

Jason Wu Splits the Vote: Jason Wu’s F/W 2010 certainly made an impact.  So much so that it split even the most notable of fashion critics. Times fashion critic Cathy Horyn: "Jason Wu’s homage to the photographs of Irving Penn just didn’t work. The draping of evening dresses — full-skirted deb numbers, trapezes and so forth — was clunky and labored, and one strapless silk dress had a huge swell of fabric on the model’s arm, as if a muff had crawled up her elbow.”  Most appreciated was the menswear inspired outerwear, The Wall Street Journal declared his paint-splatter coats “iconic for the season.”  But it was the eveningwear that left most divided. Though it praised a feathered tulle dress, Style.com concluded that “it didn’t work” and that some of the dresses lacked the "effervescent quality" of Wu’s best work. WWD agreed that the looks were split: some “charming in their girlish awkwardness and others, just awkward.”

American fashion designer, Marc Jacobs, has a flair for making headlines, whether it’s about his trend-setting collections, his bizarre costume parties or his personal life.  You’ve probably guessed already, Jacobs makes headlines again after the designer announced to broadcast his F/W 2010 collection online.

Sitting front row at a fashion show for designers like Marc Jacobs is a feat few people can achieve without being an A-list celebrity or Anna Wintour herself.  To solve this problem, Jacobs’ collection will be unveiled live at 8pm EST on Monday, February 15th on the designer’s website, www.marcjacobs.com.

Robert Duffy, Jacobs’ business partner, has been tweeting for several days drawing in excitement for the show.  Duffy promises a great show but can’t promise if the show will start on time tweeting, “it could be 7:30, maybe 10:30.”  No doubt Jacobs has been slammed in the past for late starts, who could forget when he started two hours late for his S/S 2008 show.  Hopefully, his tardiness won’t make most of us go blind from staring at our computer screens waiting for the show to begin.

Joining Marc Jacobs, Calvin Klein, is the latest brand to announce it will be live streaming both its men and women’s F/W 2010 collections during New York Fashion Week.  The runway show will be streamed simultaneously on www.calvinkleincollection.com and on the brand’s official Facebook page.  Facebook users will be able to take advantage of a live chat function during the show, which is sure to be a conversation about favorites and must-haves.  The men’s collection will broadcast at 2pm EST on Sunday, February 14th and the women’s collection can be viewed at 3pm EST on Thursday, February 18th. 

Sabah Mansoor Husain, of Bangalore, India, entered the Academy of Art University for her MFA degree in Fashion and Knitwear Design, after receiving her BA degree in Textile Design from Bangalore’s Srishti School of Art Design and Technology in 2005.

Sabah’s knitwear collection combines an eclectic set of techniques derived from both craft and design. She drew upon traditional methods of felting fabrics, crochet, hand embroidery and Shibori (a Japanese technique of dyeing a pattern which begins with binding, stitching, folding, twisting and compressing fabric); Sabah incorporated these first steps of Shibori to manipulate the fabrics and enhance the sculptural textures in her collection.

Commissioned beads and crystals:
Inspired by chandeliers, Sabah worked with an artisan in Firozabad, India to customize the jewel-shaped crystals and faceted glass beads she used to embellish to her entirely black and charcoal collection.

The use of ‘felting’:
“I learned how to create felt from artist Tenzin Yang, a woman who makes felt hats and bags in a small shop in Darjeeling, India. When I began developing my collection, I remembered her patience in teaching me the process she had such passion for – a process that had been passed down through generations in her family…I would love to see her reaction to my collection; sadly do not have contact with me anymore.”

Sabah’s experience commissioning the beads and crystals:
“When I began working on my collection, a search for the right materials led me on an interesting exploration. I wanted to use a jewel component; however, I was not satisfied with the size and scale of the crystals available at local stores. I searched shops and salvage yards for crystal chandeliers, yet didn’t find the colors and quantities that I needed. Since I grew up in India, and started my design career in the textile industry, I had heard about factories and artisans who created faceted glass beads and bangles in a small city called Firozabad, located within the state of Uttar Pradesh. I traveled there and discovered a small workshop run by a gentleman, Ahmed Farouq. He agreed to work with me and together we designed the pieces from scratch; he even taught me how to facet glass and make it shine like crystal. In a gesture that seems to speak of the importance of his craft and the personal dedication to his work, Mr. Farouq made the trip from Firozabad to Bangalore in order to work on the final product and hand-deliver the finished pieces to me.”

Sabah’s education in textiles and her career in design began in her hometown of Bangalore, India. Her Fall 2010 collection is evidence of her knowledge of, and appreciation for, the traditional handcrafts and skill for which India is renowned. The collection also reflects Sabah’s keen sense of sculptural shape and design. In reference to the collection, she states, “I used the centuries-old traditions of knit and felt techniques to expand conceptual boundaries between art, craft and design. I drew strongly upon the traditional techniques of felting, Shibori and hand-embroidery to act as ‘resists’, and I combined wet-felting with knitted fabric to purposefully create surfaces that marry these techniques and yet, are not defined by either”.

In 2005 Sabah developed a project using two distinct and separate methods; she created unique surfaces by molding fabric around copper shapes, and made a knit ‘light-up’ by weaving optic fibers together to create the ‘fabric’.

She also launched a footwear and handbag design company, Peach Cobbler, which also produced accessories for other designers based in India.
Sustainable fashion that propagates awareness towards the disturbed ecosystem strives to awaken the most laid back, non reactive fashion society. Sustainability is a relative term which can also be interpreted as to live and let live. Fashionfad.in sits together with the proactive Ahimsa Silk Designer Samant Chauhan and an anthropologist Phyllida Jay, working for a research project on sustainable fashion and more precisely organic cotton in India, to unravel the true essence of sustainability in fashion. 
 
The entire awakening for sustainability was instigated by Katherine Hamnett, a British designer when she discovered that the fashion industry was responsible for a living environmental nightmare and felt the moral imperative to do something and the only solution to the catastrophe was to go green in 2000. 
 
The Organic cotton by definition is cotton grown without the use of pesticides or chemical fertilizers. The standards at different levels exist, however, for cotton to be classed as organic it must be grown in soil that has been chemical-free for at least the last three years.
 
Conventional cotton represents 10% of world agriculture and uses 25% of the world’s pesticides. 
The clothing, shoe and textile industry is one of the largest industries in the world and is responsible for enormous pollution and environmental destruction. The industry uses more water than any other, apart from agriculture. It discharges massive quantities of toxic chemicals into the environment including huge amounts of dioxins, from bleach, lycra, PVC and heavy metals in dyes and leather tanning. It uses huge amounts of energy in the form of oil and electricity – in manufacturing and the production of synthetics, shipping, and air travel. Thus it is responsible for enormous CO2 and greenhouse gas emissions and is a significant contributor to climate change. And still we sit unmoved thinking it hardly affects us. But we have forgotten the chain of ecosystem where even if the lowest link is disturbed it disturbs the entire cycle and soon the fashion community will be the direct recipients of its adverse affect if we continue to be ignorant any longer. 
 
So the entire sustainable fashion conscious society is constantly working-out a methodology that is least harmful and provides the least disturbance to the supply chain network. Sustainably is a relative term and in its mission to accomplish balance it finds that the demand for organic cotton is the route to success. Phyllida on account of her research and her three months stay in India in cities like, Jaipur, Pune, Hyderabad, Mumbai and now Delhi has discovered pockets of awareness which are dispersed. Henceforth, where there is awareness for sustainable fashion, the products are not available and vice versa. 
 
The other side of the quest for sustainable fashion was put forward by Samant Chauhan as he takes care of the livelihoods of each and every stake holder involved in the production of his garments. He works directly with the silk weavers of Bhagalpur and ensures their sustainability in terms of food and proper share of money. The education is also taken care of which diminish the chances of them being cheated by the middle men. And another important aspect of sustainable fashion is to create recycle value of the product thus not increasing the wastage at an alarming rate. There are different routes to be followed to achieve the goal of minimum disturbance and a conscious effort towards ethical upsurge. 

 
The growing fashion fraternity also poses a question very aptly put forward by Samant Chauhan, “When we are working with international companies many a time we are questioned about the facilities for the work force at our studio, but little do they realize the amount of capital involved to go by their standards. And if we are not allowed business on this ground the entire small scale designer industry in India would suffer setback. So how do we maintain the balance?” he says, as he leaves for Ireland in June this year to deliver a lecture on Sustainable fashion at the GMIT, college of arts. 
 
In India the organic cotton farms are held by a few export houses like Pratibha in Indore and Arvind Mills certified by the Organic Exchange body that is a seal of guarantee for organic cotton. The Aditya Birla Group has come up with their latest discovery of Birla Cellulose which is a 100 per cent natural and biodegradable fibre.
The Bangalore Fashion Week starting today strikes another cord in the Indian fashion scene with its second edition of the event. The rising fashion quotient in the country has certainly raised the demand for more fashion worthy consumers as well as designers and the already existing platforms for showcasing  has become little stringent for the growing industry.
 
Bangalore fashion week is designed conceived and executed by Dream Merchants. An Event Management Company of Bangalore, which has pioneered in organizing the local beauty Pageant, Miss Bangalore, since 1994, and over the years has become the main fashion event of Bangalore.
 
Feroz Khan, Creative Director, Dream Merchants and board member BFW, who has been instrumental and directional in nurturing the fashion event at Bangalore, spoke exclusively with fashionfad.in, amidst all the excitement and tension. He says, “We aim towards making Bangalore fashion week a national event. At present we are only two seasons old and we want to strengthen our grounds in Bangalore, then progress towards building a strong host and launch vehicle for all the new upsurging design talents in the country.” Feroz is very clear about the objective of making BFW as trade event and not to be diluted as the glamour outburst only. He already has an exhaustive list of 280 buyers at his event which would help him project India’s take on fashion globally. “We are also showcasing Milan based brand Claudio Antonio spearheaded by designer Shipra Chawla, as a response to the international presence of Indian fashion.” The BFW has also opened gates for the new and promising models as it launches twelve new faces this season spotted after rigorous rounds of audition. On his take at the growing numbers of fashion week in the country Feroz says, “In the west every state has a fashion event of their own. Today India has the level of awareness and money to purchase fashion products and growing fashion events are just an answer to the demand. For the International buyers, they will also gradually discover their niche, whichever fashion week suits them the best.’
 
The First Edition of Blenders Pride Bangalore Fashion Week took place in July 2009, where designers Like Rocky S, Manoviraj Khosla, Sanchita Ajjampur, Samant Chauhan, Jatin Kochhar, etc. flew down to Bangalore and graced the city with their creations. The fashion week also sizzled with  ramp queens like Candice Pinto, Tinu Varghese, Bruna Abdullah, Alisha & Anjali Rawt, Syed Zulfi, Shawar Ali, Acquin Pais, etc. And a host of Gen Next Designers like Neelam Ashley, Soma Nath, and Bhakti Reddy.
 
The second edition of Bangalore Fashion week clicks on the 28th of January with Amita Sharma & Vipin Batra opening the show and closes on the 31st of Jan with Shantanu and Nikhil as the grand finale designers. The four day fashion fiesta at Bangalore has invited a lot of new and established designer to celebrate and imbibe the cosmopolitan taste of the city. The Bangalore fashion week has on board some of the prominent buyers, fashion editors, eminent designers, and members from Dream Merchants, including the very gorgeous Achla Sachdev who is also the choreographer for the event along with Rahul dev Shetty.
Blanca Dixit Peralta uses multi layers of acrylic and oil on canvas to create figures that are real yet abstract ordinary and yet surreal, an experience enough to ignite a passion that is beyond one’s causal existence. The stunningly glamorous artist who heirs her beauty from her Indian mother and Spanish father is a trained dancer in Salsa, Tango, Jazz and Flamingo as well.
                
Tell us something about your schooling and how did you pick up painting?
I have done my schooling from the British School, New Delhi and then I earned a scholarship to hone my skills in fine arts and went to Boston. Art was something that has been bestowed upon me and has running in my genes as my father is a sculptor and my mother has been painting for the past fifteen years. I have been painting professionally since 2004 and now it’s been six years.
 
What do you do other than paintings?
I read, collect art movies, art books and yes travel a lot. I also love photography and graphic designing so sometimes they act in freshening up my mood. As of now I designed posters, invitation cards but only for friends it’s so much fun as we sit together, discuss, brainstorm, sketch and exchange ideas and experiences.
 
Who is your style, inspiration and muse for your art?
My art is very figurative, real, and abstract with a bit of surreal touch to it. I paint the reality through body form but it slightly slips beyond the ordinary space. My work is a lot inspired by the great old masters like Da Vinci, Salvador Dali and Michael Angelo.  
 
How do you plan your future?
I don’t plan much ahead in time and live life by how it comes. Now I am working for my upcoming exhibition in March which will be at the Indian Habitat Centre. The work is realistic and figurative in accordance with my style and takes the viewer into a different dimension and an absolutely new culture. I have a few more ideas that I will be working on subsequently after these exhibition. First would be works of art which is relative to my cultural responses, the next is based on my personal responses as an artist to the issues and causes in India. 
 
How was the experience of shooting with Rohit Chawla?
Rohit Chawla has been our family friend and has known my parents from the past 25 years so he has practically seen me growing up. So when he called me I jumped at the idea, since I am a painter myself I was very excited over this entire affair. Originally I had posed for two shots in the calendar but finally only one was picked up. But I thoroughly enjoyed the experience of modeling.
 
With a Personality and style like yours you can easily be mistaken for a model, would you like to become a model as well?
Actually modeling is not something new for me, I first modeled for a Godrej advert when I was 6 years old, then again at 12 for Hero cycles and yet again for vintage sunglasses. But somehow I was never very comfortable in front of the camera so never took up modeling as a career option.
 
Have you ever given fashion or designing a thought?
Talking in true sense I love designing clothes, I have tailor at home and I m constantly creating something or the other new for my wardrobe. Designing is something at the back of my mind and I will start taking it seriously in future though at this moment its only painting.
 
Who is your favourite designer?
I love Manish Arora because of his bold use of colours and full of life design, I find his creations very close to my sensibility, Tarun Tahiliani for his sophisticated elegant feminine dressing and Gauri & Nainika as their designs are a must have for every woman’s wardrobe. And among international brand I of course love Gucci, Prada and Issey Miyake. 
 
How do you take challenges and creativity blocks in your life?
I just pack my bags and go out even if for two days I drive to some mountains and I am fresh again. At times Delhi becomes very monotonous and a break is most required then I just call up my mom and tell her that I am leaving.
 
What sort of music do you enjoy listening to?
I enjoy every jounre of music be it jazz, Trans, ambient, classical depending on my mood. Music always lifts up my spirit and it is the rhythm of life.
 
Being an artist your expression must be exposed to all sorts of philosophical thoughts and Imagery, do you have special associations with any particular social cause?
I am constantly working with a lot of NGO’s in aid of the mal nourished kids, kids suffering from AIDS and thousands of homeless children.
 
What is your greatest strength and greatest fear in life?
I take things as they come and learn from my past experiences so that I do not repeat the same mistakes again in life. I am also very aware of my surroundings. And my greatest fear is losing my loved ones, I am so scared of the thought that I don’t even think about it.