Keen to reaffirm its reputation as a leading fashion institute for producing students who possess an eye for creativity and a head for business, the Hues & Style fashion and Interior Design College presented its GenNext2016 graduation show.

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The college which is been considered as capital’s more vocational fashion school, presented a showcase which saw students from different disciplines work together on a series of collaborative collections. I had a mini flash back of student showcases, while walking into GenNext 2016 Graduation show – the schools 9 th to date. With the input of a jury panel of industry insiders, I was left unimpressed while browsing their designs on racks.

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As with any runway show, professional or otherwise, some looks resonated more than others whilst only few that really stood out moreso because Graduate Fashion showcases are known for launching the careers of some of the biggest names in fashion but ALAS!!

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Milan Men’s Spring summer 17 had Sunnei , Daks, Missoni, Prada, Moncler Gamme Bleu and Damir Doma. 01 02 Sunnei by Simone Rizzo and Loris Messina was youthful in design and style. As they showcased Italian casual classics which consisted of double-breasted blazers, silk handkerchiefs and chinos alongside tie-dyed jumpsuits,white corduroy field coats, sleeveless denim overcoats.

03 04 As for Prada, Miuccia showcased some high-end hiking gear as there were Billowing anoraks, sandal-boot hybrids, boonie hats with brogues, coats and backpacks alongside few womenswear.

05 06 Moncler Gamme Bleu project with Moncler, Browne converted the luxury outerwear brand’s warehouse into a boyscout gear in safari shirts, field jackets accompanied by some suiting pieces made from glossy tarpaulin.

07 08 Missoni had Guatemalan influences for his Spring 17 show at Milan.The show notes offered inspirations like “a kaleidoscope of colors dialects,” or “the ruggedness of the volcanic and mountainous terrain.”

09 10 Known for its own iconic wovens and zigzag motifs,it opened with woven Missoni knits via polos, vests and shorts, with scarves tied around the waist alongside flared pants and straw brim hats paired with Cuban-heeled boots.

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430 12Ms Sanam Sippy hosted an exclusive preview party to kick start the 2nd edition of the iconic Monsoon Brunch at ASILO. The lavish brunch spread, free flowing Chandon sparkling along with live music was the most sought after offering fabulous view of the city.

The fun monsoon brunch party had Schauna Saluja, Rashmi Nigam, Vidya Malvade, Narendra Kumar, Raddha Kapoor, Arundhati De, Vikas Bhalla,Mayank Gandhi, Terrence Lewis, Laila Motwane amongst many others.

Shiseido’s Clé de Peau Beauté (CPB) hosted an autumn/winter 2016 global press conference with the theme of Fearless Beauty, held at Shanghai’s Fairmont Peace.

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Amanda Seyfried, the brand’s muse and global spokesperson presented the makeup collection conceived by Lucia Pieroni, Makeup Creative Director for Clé de Peau Beauté, through inspiration by Tamara de Lempicka, one of the most memorable female artists of the Art Deco period.

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The collection will be available in 12 countries and regions around the world starting in autumn 2016 (Japan, China, Taiwan, ROK, Malaysia, Thailand, Singapore, Vietnam, Indonesia, USA, Canada, Russia).

Amanda Seyfried Promotes Cle de Peau Beaute In Shanghai

Moving from Pitti Uomo90, Milan Men’s SS17 kicks off with DSquared2 and Ports1961 showcase. Starting from 17 th June the SS2017 Men’s will run through 21 st June.

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4As for DSquared2, there were glittering disco boys with lip and nose piercings, bare-chested punk heads and highest-ever heeled platform Go-Go boots crusted with shiny rhinestones collided on runway for spring.

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With Denim there were trucker-patched jackets and camouflage sequin jackets glimmered with fabulous luxury gave a new kick to these gender-bent (macho) men.

There were looser, relaxed looks during the second day of menswear previews for spring and summer 2017 during Milan Fashion Week.

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Jil Sander SS17 was a showcase of austere minimalism, with beautifully fabricated, tailored razor-sharp, modern architecture and slate textures in Coats, sweaters, suiting in tonal colorways, and styled together by color.

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Marni was very Italian in a modern way with distorted aesthetic meant pieces with velcro straps, and colors and patterns clashed awkwardly. Models wore horn-rimmed glasses and carried briefcases giving a geek-chic vibes.

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Versace got sporty debuting its athleisure wear on Milan runway, there were featherlight fabrics, loose cuts and some handy accessories all designed for the Versace man on the go, came in rich purples and bare chests.

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As for Neil Barrett, it was 70s inspiration in earthy brown tones came in the form of sumptuous rust suede outerwear, rich caramel leather blousons , polo shirts and ribbed knitwear, casual sporty trousers (elastic waistband + pleated leg and designers signature chevron graphics.

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In recognition of the importance of a Creative Director who helped redefine Gucci for the modern era, the Italian House has opened two new rooms in its museum in Florence, dedicated to Tom Ford, former mentor of the brands current Creative Director, Alessandro Michele.

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The Tom Ford rooms at the Gucci Museo showcase women’s and men’s ready-to-wear in one room and accessories in another. According to Michele, the aim of the spaces is to remind people of the way in which Ford encouraged self-expression through developing a distinctive, sensual aesthetic for the House.

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The decoration of the Tom Ford rooms and the way in which the items on display are presented contribute to a mood of provocative sensuality that perfectly reflects the image that Ford created for Gucci while he was at the helm of the design team at the label. The display of ready-to-wear that Ford’s former mentee and colleague has created at the Gucci Museo is appropriately theatrical, with each of the looks literally appearing in its own spotlight

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The ready-to-wear room is decorated in cherry red from floor to ceiling. The carpet is in cherry red, as are the dummies, which have studded faces. Sensual orchids adorn the heads of these dummies, which together form a crowd. There is an almost oppressive sexuality on show here, all the looks have been curated by Alessandro Michele to represent Ford’s aesthetic for the House in the 90s and early part of this century. These outfits are symbolic of collections that were hugely influential in the world of fashion at the time, and which, by shaking-up the established conventions of the industry, genuinely challenged ideas of what fashion could be.

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Whilst in the accessories room, the colour palette shifts from red to pink. Mauve lilac matelassé coats the walls, and the ceiling is painted to match, while only the carpet remains cherry red. Here, the objects on display are presented in glass showcases, as if they were historical artefacts. This impression is reinforced by the choice of pieces, which include not only familiar items such as bags and shoes, but also those products from the Ford era that became notorious, like the Gucci GG G-string, handcuffs and dog collar.

At Pitti Uomo’s Spring/Summer 2017, the vibe was much more casual than usual. The venue for Simons’ show was an old Florentine train station, converted into a nightclub. The space was populated by mannequins sporting iconic Raf pieces,in a thumping ’80s soundtrack and gloomy lighting with no-seats layout made everyone jostle for a good view. As for collection there was billowing shirts worn half-on, half-off, leather pants, aprons and biker hats and belts wrapped around models’ necks only to conclude with rugby sweaters and knits.

Raf Simons 

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A who’s who of the menswear industry was present at Florentine villa to witness Visvim’s unveiling of SS17 collection.Hiroki Nakamura’s  collection was yet another journey back to times gone by with models strutted down the runway in vintage garments, crafted from cotton grown in volcanic ash.

Fausto Puglisi

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Gosha Rubchinskiy Pitti Uomo debut was in a stunning old 1930s tobacco factory. Gosha’s show opened with a trio of suits-and-sneakers looks, inspired by Pitti Uomo’s culture of sharp tailoring. There were corduroy jeans and trucker jackets, made with Levi’s and ’90s-flavored striped sweaters, stone-washed jeans, yin-yang graphics and Benneton-inspired sweaters.His bright silver and red double-breasted blazers will be a hit next year.

Gosha Rubchinskiy

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Lucio Vanotti

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Visvim Designer Project

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On the occasion of Pitti Immagine Uomo 90, Palazzo Pitti hosted KARL LAGERFELD-Visions of Fashion, a never before seen photography exhibition of one of the world’s most renowned fashion designer, curated by the image director of Chanel Eric Pfrunder and publisher Gerhard Steidl.

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Photography today is an integral part of my life. For me it is impossible to see life without the gaze of photography, the world and the fashion through the lens of a camera. It allows me to maintain a critical distance in the work of all days: it helps me more than I could have imagined”, says, Karl Lagerfeld.

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The exhibit is a special anthology project that celebrates the eclectic photographic production of Karl Lagerfeld. By shots and fashion shoots in the most important international fashion magazine, to photos inspired by classical mythology, such as the series “Le Voyage d’Ulysse” and “Daphnis and Chloe.” A set of 200 unique images created by various techniques: daguerreotype, platinotype, Polaroid transfer, resinotype, screen printing and digital printing.

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The photographs dialogue with the works present in the exhibition – from the staircase Moro through the Halls of the Palatine Gallery until the White Room and the two Halls of the Apartments of Tapestries.

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