Review 

Contributed by – Duhin Ganju
Pics by – Vidushi Gupta

Going back to her Anglo-Indian French roots, Nikasha’s AW collection was meant for a free-spirited woman who loved everything that was Bohemian. A mix of elements like the almond blossom print and archived zardozi embroidery was incorporated onto languid and eclectic silhouettes. Traditional saris were embroidered to perfection, as tasseled messenger bags were an absolute must-have accessory. Off-shoulder crepe gowns were accompanied by sequined necklines and embellished cap sleeves. Gandhian pants and Patiala trousers were worn over layered spaghetti tops with scooping necks and appliquéd floral patterns. Kimono shawls and turbans were worn with silk-chiffon blouses, as bordered dupattas were accompanied with hand-painted box-clutches. A lot of fringing could be seen done on unstructured capes that were fluid and airy, as models were enveloped in a bold color palette of rouge, deep mustard, dusty pink and faded tangerine.

Review 

With hospital beds lined-up in a symmetrical manner, Rajesh Pratap Singh’s AW collection focused on the structured and clinical affairs in life, which was enveloped in a monochromatic color palette of black and white. Garments were bold and mannish as a lot of reconstructed surfaces were created by the brand’s signature hand-seam detailing. Sheath dresses, pleated skirts and boat-shaped LBD’s were accessorized with patent brogues and feminine cat-eye frames. Double-breasted jackets were patch worked with chunks of leather here and there, as overlapping silhouettes were incorporated in tapered trousers and wrap-up dresses. Gingham checks were an absolute frontrunner, followed by geometrical pattern work that was incorporated onto Mandarin-collared jackets and bold tweedy coats. A-line dresses were imprinted with evideffint polka dots, as structured silhouettes were color-blocked to perfection. Wool ranging from fine Merino to traditional Ikat was used to create 50’s inspired garments that were fitted and daintily tailored. A lot of attention wad paid to tailoring as fitted coats dresses were worn over white crinkled shirts and belted harem pants.

Contributed by – Duhin Ganju
Pics by – Vidushi Gupta

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3-220x161After spending his childhood in Delhi, Manish was still a teenager when he moved to London. For more than years, he worked with high-street labels and freelancing as a designer in London. Later on he completed his masters in menswear design from prestigious London College of Fashion in 2011. His exposure to British fashion made him fall in love with the distinguished tailoring culture of Savile Row.

In January 2012, Manish Bansal launched his eponymous label ‘Manish Bansal’. His design philosophy rotates around social-economic views that have the potential to start dialogues. The label is known for innovative ideas of using surface ornamentation and textile.  Each design of the brand speaks of Bansal’ s affiliation towards colors and fine tailoring that makes every outfit stand out in the crowd. Every inspiration and character that Manish injects in his creation boasts a progressive and unparalleled method to create an ensemble befitting timeless wear while in step with the current trend.

Manish has showcased his collection at Lakme Fashion Week and has done a few collaborations as a well. His designs are currently available London and Dubai.

You can get ‘Manish Bnasal’ at:-

www.manishbansal.co.uk

Review

Farah Sanjana showcased her daring collection which took the ramp by storm.

Adding a feminine touch to the collection were hues of porcelain, ivory, pale pink, amber and classic black along with soft mint and olive green. Embellished with the innovative motifs of swords and scimitars, the collection brought stylish aggression on the catwalk.

Models walked down the ramp in majestic skirts with strong cuts teamed with jackets, body hugging skirts and trousers. Array of shift dresses, cropped tops teamed with gathered skirts, bikinis enveloped under printed capes were other startling creations.

The eye catching garment that mesmerized the audience was a classic ivory coloured sari graced with the monumental sword print.

Review

Neha Agarwal came upwith an inspiring tale of Russian and Indian culture. The collection was an amalgamation of Russian designs and Indian fabrics and techniques.

The designer created stunning designs with hand-embroidered appliqués on georgette, ahimsa, dupion, pure mal, tussar and pattu silk along with Russian artwork.

Some attention-grabbing creation from the range were bamboo denim jackets with cape collars, adorned with cross-stitch detailing and floral embroidery, circular dresses with hand block printed motifs and denim crop tops with printed Russian dolls.

Flared jumpsuits in pure silk with a denim bodice and embroidered scalloped sleeves were highlighting outfits from the spectacular collection.