Capturing the spirit if its avant-garde fashion philosophy, Tresmode’s giant stiletto is the new “Shoe-Stopper” at the Lakme Fashion Week.
Handcrafted entirely by artiste Paul B himself, using 60 kilos of fragile aluminium wire mesh, this exceptionally challenging installation took over 10 days to fabricate. It’s an ode to Tresmode’s unique fashion experience and will also mark the launch of its Fall/Winter 2010 collection.
Speaking about the installation, its artiste Paul B, says, “It’s a towering shoe that resembles a cocoon spun by a silk worm, out of which is about to emerge a beautiful butterfly. With this shoe, we have created a playground of an urban fairytale, one that reflects the edgy and futuristic essence of Tresmode’s new collection.
This special art installation, that will be unveiled on the first day of Lakme Fashion Week, will be complemented by models wearing select styles from the new F/W collection on the runway.
Jatin Varma draws inspiration from the Labyrinth, a word almost synonymous with Greek mythology. The legendary ‘Daedalus’ is famed to have conjured up the first ever maze for King Minos of Crete at Knossos. Jatin’s AW line highlights the concept of mazes that can be structured and fluid in the form of drapes… Complex and yet utterly simple at once!
The collection is all uber-feminine dresses & gowns in varying hem lengths. The empire waist line dominates with multi-paneled skirts& drapes at the hems being the signature style.
The collection also has both structured as well as draped dresses, fitted close to the body. The intricate draping complements the stark structure of each piece.
Plum, black, green, Pink dupion silk, silk satin & polymide lycra construct this truly a ‘maze’ ing collection to bring out the intrinsic feminity hidden within each woman. The surface texturing includes tucks and folds in criss-cross weaves and seam-edged stitches echoing the intricacies of the Labyrinth and stone embellishments done with crystals as well as soft fabric buttons complete the effect.
This season, Swapnil unleashes the dark and mesmerizing world of unwanted villains, romantic fools and an enchanting Indian courtesan Chandrakala in a whole new avatar.
Swapnil states, “Inspiration is derived from late 17th century and early 18th century Europe, teamed with the traditional lavni dancers of Maharashtra. Our heroine wears a vast amalgamation of flouncing skirts with embroidered ‘ghoongroo’, double breasted jackets either deconstructed or structured, draped saree style dresses, glamorous evening gowns, pleated lavni pants and dramatic festive pieces.”
He has mostly concentrated on fabrics that range from silk chiffon, satin lycra, velvet, faux leather, custom designed printed silk chiffons, silks, tartan wools that have been delicately embroidered, with traditional Indian zardozi work, custom made shoes and boots.The colours complement the theme and range from ivory to jet-black and lavender to blood red.
Continuing its success story at the LFW, Digvijay Singh for bhu:sattva collection is inspired by the concept “Tidak Ada Lagi” which is the brand’s 4th appearance at the LFW. The brand will showcase its organic prêt collection at Grand Hyatt, Mumbai on the 17th of September at 3:00 p.m.
This season, the theme of the collection is, ‘Tidak Ada Lagi’, in Malay is referred to as ‘There are not many left’ which is what is being spoken about this magnificent flower called rafflesia. This unique flower forms the inspiration of the collection. Known as the largest flower in the world, it is Malaysia’s most well known icon of the tropical forest which is now on the verge of extinction!
Being inspired from this flower, each ensemble is designed to come alive on the wearer & frame the feminine core. The confident textures on the petals that are definitive but never daunting, the pastel colors and the various motifs being derived from the plant tell their own stories. It is Indian inspired clothing that is crisp, professional and modern. It is a contemporary Indian alternative for the professional, working women. Flowy, feminine and sophisticated, each ensemble is derived from a storehouse of the unexpected details found on this flower.
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Covered across the pages of Marketplace and Public Radio, Style.com, TheDailyGreen.com, EcoRazzi.com, TreeHugger.com and the HuffingtonPost.com, this year’s GreenShows, representing Eco Fashion Week (September 12th-14th), have been the talk on everyone’s lips. The collections, shown over several days in the heart of Chelsea at the Metropolitan Pavilion’s new eco-conscious venue, The Metropolitan Suite (123 West 18th Street), kept all the ecofashionistas fighting for a seat to catch a glimpse of the freshest new lines in the biz. From days long past of when eco-friendly clothing meant the incorporation of muted-looking hemp, stiff burlap and cotton speckled with curious looking brown spots, green fashion has skyrocketed in popularity through its inventive beautification and subsequent wearability.
This year, ten designers had the honor of being featured at the GreenShows during New York Fashion Week: Ashton Michael Black Label (the architect of edgy femininity), Auralis Herrero (creating fusion between Puerto Rican tradition and eco modernism), Bright Young Things (the whiz kids of multifunctionality), Dress Reform (masterminds of collage and quilting reinvention), Joann Berman (the fearless New Yorker with a knack for gritty punk), Lavuk (futuristic genius meets timeless grace), Luis Valenzuela (the true atelier of eco-couture brilliance, see left), Milliners Guild (handcrafted headwear at its most artistic), Samantha Pleet (the romantic wunderkind) and Susan Cianciolo (blending contemporary art with vintage Parisian inspiration). All ten gained industry attention over a year ago and have individually redefined the image of sustainable fashion while stealing nods from Oprah, Vanity Fair, the San Francisco Chronicle, USA Today and NBC New York. Setting the tone for the other eco designers who showed during Eco Fashion Week, Gary Harvey, the British designer who led the pack at his runway show on Sunday, September 12th, brilliantly employed vintage Levi’s 501s, recycled pages from the Financial Times, old baseball jerseys and used skincare packaging in his grandiose and most extravagant couture designs (see above right).
From recycled newspapers and antique maps to dumpster-bound jewelry and vintage clothing scraps, mark your calendars; we are now in the age of fashion greenification.
Posted by : Courtney O’Kane Academy of Art University Alumna at 04:25 AM (IST)