Soon after parting his ways from Balenciaga, designer Alexander Wang has opened his largest flagship store in the world at 43-44 Albemarle St., Mayfair in London. 1Built over an area of 6,460 square feet with four floors, the store has a post office downstairs and an art gallery upstairs. Designed by Belgian architect Vincent Van Duysen, the space is linked by a grand central staircase and features Wang’s signature aesthetic with sleek, industrial fixtures. Unlike other stores, all the metals are covered in matte rubber instead of being flat black metal features a lot of tonal shades of gray. It’s a bit softer, with a lot more suede, and more sensual materials.

1Dior has brought a new twist on the art of perfuming with its new new oil-based J’adore Touche de Parfum which can be combined with any perfume of the J’adore line.2

Created by François Demachy, J’adore Touche de Parfum is a new olfactory and sensory experience. The fragrance has a rich fruity and floral base to it. Some very exotic essences are used including jasmine sambac Damascus rose, Sri Lankan sandalwood and Tuscan iris.

The J’adore Touche de Parfum bottle is a technological wonder. A capillary system exclusive to the Dior Maison de Parfums facilitates application: twisting the bead of the amphora bottle draws a drop into the applicator and captures it there. The “touch” is only released when the transparent applicator is applied to the skin. Fine and lightweight, the silky texture is absorbed with astonishing speed.

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Review 

Rohit Bal casted an absolute magic for his couture collection titled Husn-e-Taa’iraat, transforming the stage into a valley of elegance with trees placed on the runway alongwith the playful tunes of a live pianist and cellist.

The collection began in shades of cream with models dressed in chic maxi coats over crinkled floor-length angrakhas, showcasing his love for nature and birds, after lotus ofcourse, with the exquisite embroidery on the garment pieces. Then moving on to the contrasting colour of black velvets with vibrant embroidery and brocade inner lining, there were jackets in varying lengths and cuts, angrakhas, saris, and full lehenga skirts while menswear consisted of smart bandhgalas and Jodhpur pants with embroidered slip-on shoes. Deep maroon tones with gold and red embroidery were part of his bridal wear collection.

pics by – vidushi Gupta 

Review 

Varun Bahl’s Haute Couture Song of the Flower collection, spun magic on the ramp through his floral inspired collection of Anarkalis, Sari Gowns, Sari Lehengas, Pant Suits and Couture Menswear showcased amidst a grand setting of Florid beauty and crystal ivory and gold décor.

Introducing floral motifs for men his ensembles reflected glittering rose-motif embroidery, in hues of pink and red. Bahl worked largely on classic lehenga silhouette: fitted tops with intricate lace gave way to full skirts in bunch of flowers, mainly on an off white palette in silk chanderi.

The collection defined couture in a very relaxed composure with options for brides, grooms and as well as day looks. The palette was full of burnt oranges, blacks, burgundy & pinks. Varun spun his magic in silks, tulle & raw silk making it a gorgeous set of western & Indian silhouettes. A pale pink ombré dress with burnished gold and light Aegean blue, layers was a standout.

The evening spelt extravagance and luxury for all to with its grandeur and sophistication.

pics by – vidushi Gupta 

Review 

Monisha Jaising  Sailing Bride was an amalgam of different elements, which makes up for an intimate memorable wedding on-board a luxury yacht parked in a regatta.

The collection encompassed well-detailed masterpieces, complexity of forms and its multiple interpretations of elements on fabrics such as silk organza, twisted silk jersey, English tweed, metallic velvet and chiffon, fur, neoprene, stretch nappa leather, bonded crepe, tulle, double faced organza and soft cotton.

The line has an exquisite array of fresh, contemporary and edgy designs starting with bias circular skirts, panelled skirts, pre-draped sarees, lehenga-gowns, structured jackets, crossover bralettes, voluminous gowns, embellished cigarette pants and fit & flare pants.

While Zardozi, laser cutting, latticework, metal and wood fittings, 3D applique, basket weaving and velvet applique were the highlights of the collection. The colour palette infused with shades of onyx, pristine, ice blue, winter sky, midnight blue, bisca bay, sand, sunset orange, aurous, seaweed teal, windsor wine and earth red  reverberate style and elegance. Grey marl jersey lehenga with 14 different panels of traditional zardozi embroidered elements, teamed with a grey ribbed racer back tank adorned with tattoo art; completed with a luxe red bridal dupatta and traditional Indian jewellery and converse shoes was quirky but modish.

pics by – vidushi Gupta 

Review 

The splendor and glory of the erstwhile Days of the Raj is the raison d’être of Rimple and Harpreet’s “Maharajas & Co.”.

Inspired by the Indian Maharajas and the nobles of that era and their lifestyle which was heavily influenced by their travels to the West, the collection

delved into the vast archives that chronicle the Maharajas and their retinues, their early interactions with western luxury and the collection is reminiscent of the vast and extraordinary commissions that were conferred by these royals on western design houses.

With leitmotifs such as the “vase of plenty” the line celebrates the usage of insignias which were used by the former royals in establishing themselves as “royals” while simultaneously paying homage to fine craftsmanship.Scintillating hand crafted embroideries and dazzling crystals veritably breathe life onto the surfaces of each ensemble while the theatrical, larger-than- life silhouettes — dramatic capes and robes, sheer billowy jackets, regal cloaks and lehengas were evocative of a bygone majestic magnificence.

pics by – vidushi Gupta 

Review 

Drawing inspiration from one of the richest ancient civilizations, Persia, Kashish show by Anju Modi resonate the home to magical folklores endorsing beautiful princesses, fierce as well as passionate and verses by Rumi validating their very existence.

Her collection was a mix of couture with ready-to-wear, flowy and voluminous, fitted and tailored; bohemian and coquettishly Indian. Her models had curly big hair, fairy crowns on models, white sneakers with fairy wings tossed with churidars, slim pants, long tunics, long asymmetrical dresses, flouncy ghaghras, quirky embroidery was executed well.

The designer wanders off in an attempt to recreate and enumerate this excruciating yet embalming feeling through her collection, to a world which we all long to experience.

pics by – vidushi Gupta 

 

Review 

Cinema has forever been the biggest influence of Indian fashion. The evolution of film costume over the decades is the point of inspiration for the Couture 2015 collection by Debarun.

The range is unraveled as a journey of Indian film fashion worn by the ethereal ladies through time. The story starts with the black and white sagas of the 1930s and 40s, moving on to the Eastman Colour eras of the 50s and the 60s. The palette intensifies to the Technicolor decades of the 70s and the 80s; graduating to the restraint of the 90s after the excesses, finally seeing a return to tradition and heritage, but in a modern, post millennial style.

Luxe handwoven textiles, rich silks and indulgent velvets form the base for intricate embellishments, subtle dye effects and elaborate screen prints. Zardozi, beadwork, thread embroideries and appliqués in floral, trellis and ornate motifs are at times delicate, and sometimes bold. Though the shapes were relevant to current times, but styled in retrospect, whereas bridal section reflects the tastes of the modern woman, who seamlessly blends time-tested traditions with a contemporary and progressive mindset.

pics by – vidushi Gupta