This season of LFW Summer resort will see 39 designers display their design talent under emerging designer category from March 18 – March 22, 2015.It will also present Patine by Shon Randhawa from London and Parul Bhargava from Paris, both exhibiting global fashion sensibilities on the Indian Ramp from the Emerging and Jabong stage categories. 

 

Contributed by – Duhin Ganju & Shefali Jauhar

(DAY-7)

Day 7 of New York mania continued as designers showcased an interesting of garments. Though the color palette was mainly centered towards classic shades of black, designers like J. Crew and Georgine played with bright hues and tones, making their collections interesting, fun and quirky. An effortless elegance and luxe appeal was portrayed through the simple statement garments.

The day began with J. Crew that showcased a collection that was effortless, wearable and had that chic aesthetic sense to it. A lot of stripes and geometric lines were used to design knitted and texture cardigans, paired casually with tapered trousers. Denim jackets and oversized turtleneck jumpers were accessorized perfectly with jumbo faux-fur scarves. Deep V-neck blouses were worn with woolen skirts and a lot of gold leaves as well as mirrored embellishments were adorned on simple shirts and overcoats. For men, quilted jackets and long duffle coats stood out and these were paired beautifully with strikingly masculine leather lace-ups. Plaid-check scarves and embroidered wallets made an absolute style statement during the entire show. The color palette consisted of various solid pastels like tangerine, steel grey, baby pink, mustard, yellow and navy blue.

Hailed by Vogue as one of the “Top 10 American Designers”, Badgley Mischka duo did justice to their reigning title with a retro-inspired collection. Inspired by the decade of the 1940s, one could easily associate it with the bouffant hair style, nude makeup with the black eye liner and the silhouettes displayed. From an embellished gold fishtail gown with a plunging neckline to an A-line dress with the plaid print, they showcased a variety with an underlying portrayal of feminine beauty. A colour scheme of muted colours like grey, burgundy, blues, blacks, gold and cream paired with elaborate detailing on immaculate fabrics, it was a match made in heaven.

Moving on, Georgine showcased a collection that literally married classic and modern aesthetics, blurring the lines between casual and formal wear. A true ‘furry affair’, models donned a perfect retro hair look with unstructured fur cabans and metallic slumber dresses. Gilded gold jackets with shearling collars were matched with flared metallic pants and strappy platforms. A very bold color palette was used to define the uber-cool collection and some of the pastels included gold, olive, turquoise, lavender, dusky brown and deep burgundy.

Known to intersperse elegance with casual luxury, the Parson’s alumini, Lela Rose showcased a collection consisting majorly of evening-wear dresses in a both short and floor-sweeping lengths.  The simplicity of the silhouette paired with the intricacies of detail is what defines her as Lela Rose. From a refreshing white A-line dress with lacework to a two-piece outfit with floral detail in electric tones to a matching leaf embellished long sleeve shirt and sheer skirt, her signature essence incorporated in every collection has made her an acclaimed designer in the American household.

From traditional garments to artfully dressed denim and leather, Diesel Black Gold, the American luxury label’s Fall collection was truly a love affair between refined quality and the ‘Rock n Roll’ era. Models strutted the runway wearing A-line dresses and tailored one-piece numbers. A lot of lace and leather was used to define the entire collection and the notched-lapel overcoats were an absolute show stunner. Peplum blouses were perfectly matched with lacy underpants, worn under the classic bomber jackets. Even though the collection was somewhat centered around black, a lot of attention was paid to create beautifully structured garments that could never go wrong, be it for a casual day-out or a formal event.

Jenny Packham’s show had an electric vibe from the 70s’ as metallic tones in midnight blue, copper, silver and deep wine bedazzled the runway. From relaxed floor length gowns in autumn shades of dull green, orange and caramel to metallic gowns cinched at the waist with great detail, the designer depicted a range of feminine aesthetics on the runway. The makeup was kept clean and chic in a nude colour palate with kohl-rimmed eyes. The entire look was complemented by pointed-toe heels.

Moving forward, Pedro Del Hierro Madrid showcased a collection that was bold yet subtly feminine. From dainty silhouettes to jaw-dropping runway stunners, the brand perfectly amalgamated sartorial elegance with the female beauty. Printed chiffon jumpsuits were belted at the waist and this was followed by long overcoats and textured woolen sleeveless cabans. Pleated floral blouses were worn with high-waist tapered trousers, followed by short tailored jackets. Strapless column dresses were crafted from super-soft lambskin leather and perfectly accessorized with platform sandals. A very Goth and glitzy color palette was followed throughout the collection as models were drenched in bold pastels like aubergine, black, deep mustard and ink with hints of creamy beige.

Known for dressing the most stylish fashion icons on the planet, Naeem Khan drifted us into a fantasy of feminine beauty with immaculate cuts, attention to detail and colour tones incorporated.  Apart from the classic black and white monochrome, the designer added raw edginess with shimmering metallics in salmon pink, deep wine, gold and leaf-green. The overall collection seemed to have the old glamour of the 1920s with the embellished garments accompanied by the retro hair and makeup. Some of the outfits that really stood out were the embellished dress with sheer floral detailing below the waist accompanied by a matching cape, a strapless salmon pink ombre gown and a matador inspired outfit in an all-black bolero jacket with high waist flared pants.

The Malaysian-based designer, Zang Toi’s passion for timeless beauty was very well showcased in his latest  collection. Elegantly sartorial, the color palette mainly included dark and solid pastels that ranged from smoky blacks, deep beiges to metallic browns with hints of olive. Models walked wearing woolen jackets, followed by knitted cropped tops and structured trousers. Copper-gold jumpsuits were pleated to perfection and the floor-length capes just elevated the mood of the entire show. Body-hugging dresses with a built up collar were followed by intricately laced stocking and perfectly accessorized with suede peep-toe platforms. A lot of glitzy fabrics like velvet, leather and shimmered silk were used to create garments that truly reflected the designer’s strong tradition of elegance.

Skingraft with its contemporary edginess showcased a classic black and white collection with a different outlook. The collection resonated ultra-modern street style fashion as men and women walked down in fitted leather pants accompanied by a range of garments. It was a fascinating combination of luxury and edgy street style as models donned sleek outfits like sleeveless leather jackets with a fleece linings, black ponchos with white horizontal stripes, white high-collared jackets with wide sleeves to name a few. Hair and makeup was kept quite natural keeping in mind the street-styled theme.

The renowned American institution The Art Institutes showcased a collection that was innovative, wearable yet catering to the needs of fashion enthusiasts looking for classic designs. From sheer silk blouses to embroidered A-line dresses, a lot of layering could be seen done on structured garments. Abstract print blouses and bold knitted cardigans made a very confident style statement on the fashion runway. Geometry was a vital part of the collection and a lot of uniform patterns could be seen being incorporated on menswear garments that ranged from zipper jackets to boat-neck cardigans. The color palette included a wide array of colors that ranged from pale yellow, black, crinkled white to deep maroon, tangerine and baby pink.

The Mexican designer, Ricardo Seco presented a collection with a range of influences, a mix of everything from bohemian, rocker to sporty.  The colour palate was neutral with a dash of colour and metallics here and there. Some of the key pieces that stood out were lambskin leather with tribal detail elbow down, silver jacket with notched lapels accompanied with leather shorts. The ensembles accompanied by sneakers added to a modern sporty look.

The fantastic day in fashion came to an end with Lupe Gajardo’s collection. The designer made quite a statement on the runways of NYFW Fall’2015. She presented a collection in an assortment of neutrals like white, black, cream, grey and pale gold. The garments exuded a sense of urban street style with an organic touch. From a black form fitting dress, an all-black sweatshirt and track ensemble to denims with patchwork the designer possessed a contemporary edge. Keeping a close connection to mother Earth, the designer also incorporated jute in printed jacket with feathers and pant outfit and a printed pencil skirt.

 

Varun Bahl, known for his innovative and understated design aesthetics is showcasing an exclusive preview of ‘The Wedding Collection 2015’ at his Flagship store in Delhi’s DLF Emporio store.

His Wedding Collection is  an assortment of Saris, Saree gowns, Kurtas, Anarkalis, Kalidar’s and a mix of tailored Couture pieces to choose from with a special highlight of the ‘French Floral Story’ series which has European influences mixed with modern vintage colours like burnt orange, maroons, old Rose, indigo and peach. The collection presented a mix of anarkalis, sarees and kurtas with an elaborate use of thread work along with French knots to make bunches of flowers in scattering placements.

The colour palate has an eclectic mix of ivory, peaches, old rose, gold, hints of black and the designer’s signature rose pinks and reds. Intricately embroidered motifs are seamlessly incorporated in velvet, georgettes, lace and silk.

Contributed by – Duhin Ganju & Shefali Jauhar

(DAY-6)

Day 6 of the New York fashion week saw highly acclaimed designers who showcased a rich array of garments that only radiated an uber-cool chic style but also a luxe appeal to the extravagant attires. From Tommy Hilfiger’s rugby-inspired collection to Carolina Herrera printed Venetian fantasies, no stones were left unturned as each designer perfectly amalgamated their design aesthetic with the brand’s true heritage value.

Chiara Boni, the Italian mastermind behind La Petite Robe, showcased a collection that boasted of a rich variety of statement colors. As models were drenched in bright pastels of pink, aubergine, cerulean, cobalt blue and black; one could not help notice the fluidity portrayed in each and every garment. From deep V-necks to effortless plunges, models walked in body-hugging dresses that were feminine in every way possible. A lot of gold embellishment could be seen on black lacy bodices and the peplum style was the ‘showstopper’ of the entire collection. From banded chiffons to A-lined baby-dolls, even floor-length gowns were crafted from delicate fabrics like organza and effortless tulle. Bright-colored suede pumps were buckled to perfection, as a part of the super-sexy footwear trend.

Moving on to Carolina Herrera, whose collection possessed an element of fluidity as models opened the show in abstract print dresses with exaggerated shoulders and puffed sleeves. As the show progressed, one could observe uniformity in terms of the fluid ‘wave’ element in the dresses and skirts with crocodile patchwork done in that design. The color scheme of blue, silver, grey, black and white complimented the cool icy look. The collection moved on towards winter luxe as coats with shearling trims started making their appearances accompanied by plaid print on grey ensembles. Soon a variety of stunning gowns and dresses with the ripple-like print were showcased. There were also splashes of red ensembles in crocodile leather to make a statement on the NYFW Fall’2015 runway.

Tooray Wang presented a very relaxed collection and the whole concept was wearing garments that are comfortable and effortless. From slouchy silhouettes to uber-cool feminine cuts, a lot of polka dots and textured leather was used to define loosely fitted garments. Oversized cabans with notched lapels were perfectly paired with slim-fit trousers and cashmere cardigans. Taking inspiration from the iconic Chanel Suit, models walked wearing carefully structured jackets and skirts, crafted from rich tweed. Double-breasted military coats and knitted jerseys were perfectly paired with patent platform brogues and each garment took was centered around the menswear attires. A-line gowns and bandage dresses were the frontrunners of the collection. The color palette used consisted of solid pastels like steel grey, ink, maroon, beige and chocolate brown.

Tommy Hilfiger’s collegiate-inspired show on a soccer field was a sporty fashion taken to luxurious heights as models donned outfits in leather, fur apart from chunky knits. The color scheme synchronized with the theme of soccer majorly in shades of burgundy, black, yellow, cobalt and navy blue. The collection feature leather jersey dresses, plaid prints, knitted cardigans, metallic varsity-styled jackets with shearling and leather skirts. The overall look was accessorized with matching leather wedged boots.

Also, designer Angel Sanchez paid special attention to cut, fit and proportion for the creation of his Fall collection. Models walked with their hair straightened into a pony and wore jaw-dropping numbers that were absolute stunners. From strapless gowns to halter-neck extravaganzas, this collection was absolutely apt for any red carpet event. Bell sleeves were amalgamated in striped jumpsuits and a lot of sequined dresses came into action. Models perfectly donned textured gold bodices and plunging dresses with strappy leather platforms. A lot of calfskin leather was seen being incorporated on figure-defining silhouettes like pantsuits and cutout military coats. The color palette consisted of a wide variety of pastels that ranged from bright colors like ruby red, gilded gold and sky-blue to darker shades like rusted brown and jet black.

Moving onto, Dennis Basso went back in time to showcase the decade of glamour, the 70s. A flamboyant collection featuring exotic furs to alligator print leather, the collection would be right up any fashionista’s alley. The collection featured a range of stunning embellished metallic dresses both short and floor length accompanied by fur coats of all kinds from fox to mink. While some looks were clean and chic with exotic material, the others were accompanied by floral, zigzag prints. The overall look was accessorized with hair neatly swept back to lay focus on the brilliant collection presented.

Ready To Fish showcased a collection that was influenced by contemporary as well as modern styles. A lot of abstract prints adorned the simple tunic dresses and the dominant styles included metallic leather overcoats and greyish-checkered shirts. Turtleneck-knitted dresses were perfectly paired with black silk stockings and the headpieces, also knitted, were the style statement of the entire collection. Metallic leather loafers and crushed vinyl boots were an absolute ‘accessory style-stunner’. The designer used a very unique color palette that included a wide variety of colors such as bright yellow, deep turquoise, burnt pink, steel grey and of course… the evergreen black.

Pamella Roland’s dazzling collection was inspired by the world of fashion in 1970’s Paris as described in the book, The Beautiful Fall” according to Forbes Online. The decade of the 70s’ shone all the way through. A versatile range of outfits was showcased like an all-black top and bell-bottoms look to a daring thigh-slit gown. The colour palate was majorly black, white, midnight blue, wine and gold. The focus was primarily paid on the cuts of the outfits with a few floral print designs here and there. The outfits were perfect for a night out in the city or a red-carpet event.

Donna Karan’s Fall collection was genuinely created to mold and wrap a female body to perfection. Dark and emblazoned pastels like black, gilded gold, deep blue and chocolate brown; intensified the magnanimity of the entire collection. Extensively layered woolen overcoats were belted to the waist and glitzy fabrics like silk and sheer were used to create effortless blouses that contained deep plunges and strapless bodices. A lot of attention was paid to the exaggerated pilgrim collars lined with super-soft shearling that completed the wintery look of almost each and every model. Tailored garments included Japanese-inspired suits that were unbuttoned and accompanied by crystal-white shirts. The evening numbers that stood out were the body-hugging gowns with uber-cool halter-necks, embroidered extensively with expensive black lace.

Reem Acra, known for her great sense of aesthetic delivered a great European dream going back to the regal days of the Baroque inspired period. Combining the contemporary with traditional, she showcased a range of well-constructed garments some of which consisted of embellished floral print baby-doll dresses, mandarin-collared velvet jacket with gold floral patterns, floor length embellished gowns with mutton sleeves. The colour palate maintained a sense of regality in red, white, black, wine.

Also, Vivienne Tam showcased a collection that reflected an exotic imagery and a passion for innovation, which was followed by rich accents of the Oriental floral gardens. Intricate floral embroidery and sheer network could be seen done on garments that were sober, yet rich in craftsmanship. Boho-inspired dresses had built-up collars and flared at the bottom. Textured A-line skirts were perfectly matched with silk see-through blouses and knitted turtleneck cardigans. From appliquéd leather to lacy dresses, the designer left no stones unturned to create a passionate, yet jaw-dropping collection. Sweetheart necklines and floral embroideries were the statement designs that could be seen on nearly each and every garment. The color palette included of a wide range of colors such as blood red, black, dusty gold and nude with hints of deep mustard and lemon green.

Libertine delivered bold statements on the runway through prints like floral, textual and abstract. The colour palate was orange, shades of blue, black, white and red. The garments had elements of print revolving around Libertine with little embellishments here and there. In dramatic eye makeup accessorized with black floral stockings, the look had subtle hints towards Goth fashion.

Ending with, Oudifu, under the creative direction of Zhuliang Lee, showcased a collection that was inspired by China’s rich Oriental history as well as the intensifying culture. Spontaneous and relaxed, model walked confidently wearing capped-sleeve LBD’s and printed leather boots. Built-up collar shirts accentuated chicness and were worn with skirts that had exaggerated hemlines. Zippered velvet dresses and cut-sleeved coats were paired with printed handbags and fur boots. Also chunky accessories with polka-dot backpacks made the collection look more cool and effortless. The color palette mainly included of classics such as black and white, followed by bright pastels like aqua blue, burgundy, beige and yellow.

Day 6 saw a throwback to the glamorous decade of the 70s from the runways of Dennis Basso and Carolina Herrera, a tribute to European grandeur with Reem Acra and a sporty-luxe collection presented by Tommy Hilfiger on his 30^th Anniversary Catwalk Show.

Contributed by – Duhin Ganju & Shefali Jauhar

(DAY-5)

As Day 5 of New York Fashion Week continued, some of the famous names in the fashion forefront showcased awe-inspiring collections. From Etxeberria’s geometrical uniformity to Carmen Marc Valvo’s evening beauties, designers surely didn’t leave any stones unturned with the chic essence of their sensual, yet wearable garments.

Theday started on a great note with Vivienne Hu who presented a collection that was uber-cool, casual and had a certain urban essence to it. Her collection was centered on soft pastels like almond, olive, rust, smoky pink, and royal blue with hints of ruby red and jet black here and there. Deep V-neck tops were perfectly paired with skinny leather pants and a lot of fur detailing was used to create form-fitting woolen coats. A-line dresses and floor length gowns had metallic patchwork done on them and for accessorizing the look; nude suede boots as well as leather brogues were used.

Taking the minimalism aesthetic with luxe fabrics was Ranfan. The colour palate had a limited colour palate from flame orange, white, black to ink blue. Oversized tweed long jackets, leather jackets, jackets with shearling trims, long dresses, and printed short skirts stood out on the runway. Neatly swept back hair kept the overall look clean and chic.

Moving towards the little nitty-gritties of fashion was David Tlale.The South-African designer’s Fall collection was all about understanding the concept of fabrics and texture, thereby, perfectly amalgamating both with the heritage of his brand. Body-hugging dresses were worn with metallic embellished formal jackets that even had feather detailing on them. Off-shoulder maxis and plunging evening gowns were belted at the waist as each garment had a certain Boho vibe to it. A very bold color palette was used in the entire collection and most of the pastels like mustard, steel grey, smoky aubergine and black were created with to give a metallic-toned effect.

The collection presented by the acclaimed American designer DKNY had an underlying theme ‘The working woman, the ageless working woman in the city of New York’. The colour palate was black, grey, navy, red, cream and violet. The garments mainly revolved around the cuts and had a streak of masculine appeal with regular fit pants, long coats and turtle high-necks. The black brogue and white sock combination took you back to Jackson days.

With his eponymous label, the New York-based designer Carmen Marc Valvo showcased a collection that was synonymous with grace and refinement. A lot of attention was paid to create beautifully structured garments that were relaxed and comfortable, yet chic and formal in their own way. From intricate lace detailing to sequined bodices, a lot of plaid detailing could be seen on each and every evening number. The designer used an interesting array of colors that ranged from dark tones of jet black and steel grey to bright hues of tangerine and gold.

Custo Barcelona, the quirky Spanish designer showcased bold print-on-print ensembles in this collection. He combined traditional prints like the gingham check, plaid with modern abstract ones. Some of the colour tones in the collection were dull brown, black, grey, blue and red. Among all the garments that made their debut on the runway, the deep V-neck short red and black dress with red fishnets stood out on the runway. Great attention was not just paid on the garments alone but the shoes as well. Each one being different from the other but still going with the outfit worn.

Moving on, Etxeberria’s collection was centered towards menswear but also had an androgyny appeal to it. The designer played with a lot of geometry and an extensive array of uniform patterns could be seen in his garments. A very minimalistic color palette was used to craft garments and some of the pastels used ranged from steel greys to smoky blacks with hints of red and mustard.

Daring and bold, FTL Moda stood out on Day 5 of NYFW for its avant garde vision on the runway. It was a not so clichéd fashion show with models walking on prosthetic limbs and some strolling on a wheel chair. The colour palate in this futuristic show was navy, black, red, white, silver and dull brown. From silver body paint to outfits barely covering the bare minimum, the show was bold and a daring step forward in fashion.

Prabal Gurung was based on ethereal feminine silhouettes and the real craftsmanship behind each and every garment truly defined his design aesthetics. Textured tunic dresses were crafted from patchwork leather as well as light fabrics like silk and crepe. Plunging jumpsuits and strapless bodysuits were paired with oversized fur coats and knitted cashmere cardigans. Some of the standout pieces were the heavily sequined straight-fit gowns that evoked an ultra-rich feminine appeal to the whole show. Models were drenched in solid pastels that included colors like dark blue, subtle beige, black, bright tangerine, mustard and hints of white.

TheBrazilian fashion designer, Meskita featured an angelic yet edgy collection of womenswear that exuberated elegance. The colour palate involved neutral colours like white and off-white contrasted with metallic and jewel colours to add to the luxury of the creations. Pleats were extensively used throughout the collection.  A range of techniques in numerous luxurious fabrics showed versatility to the drapes that oozed femininity and grace.

Ending the day 5 was Venexianna. In her collection, each garment had certain fluidity to it, thus making a statement of its own. Off-shoulder gowns and embellished bodices were draped to perfection and crafted from fabrics such as crepe satin and dégradé silk. Halter-neck floor-sweeping gowns and strapless numbers had intricate embroidery done on the bust as well as the bodice. A wide range of colors were used to design the entire collection and some of the pastels that stood out were cerulean, gold, ombré, velvety pink, lavender and steel black.

With such creative talents all under one roof, the future for fashion remains sealed and promising as shown on day 5 of NYFW Fall’2015.

Contributed by – Duhin Ganju & Shefali Jauhar

(DAY-4)

As Day 4 of the New York mania continued, more and more designers came up with interesting collections that were a true exemplary of modern luxury craftsmanship combined with elegant design aesthetics. From Lacoste’s cool sporty outfits to Noon by Noor’s embellished beauties, it was all about playing with the right colors and glitzing up the fashion runway.

Jay Godfrey’s sleek, sexy and sophisticated designs literally mesmerized the audience sitting in the front row. From floral printed jackets to off-shoulder evening gowns, a lot of degrade silk was used to craft absolutely stunning ensembles. Form-fitting halter neck dresses and high-slit maxis were perfectly paired with boots crafted from fine nubuck. Also, flared trousers and embellished crepe shirts made a perfect look for the ‘office-going-woman’. The color palette consisted of sober pastels that ranged from classics like black and white to bright infusions of metallic rust and burnt pink.

Moving onto Lacoste, who’s collection had a sporty feel to it as men walked down majorly in comfy tracksuits, trench coats and suits. It featured checkered prints, vertical stripes, and bold prints like the one, which had “Tennis Anyone “written on it. Some of the sporty looks were accessorized with duffle bags and headbands. It had a hint of the Seventies era but with a modern look to it. The color palate was red, black, pale blue, dark caramel and shades of grey.

Noon By Noor showcased a collection that was a perfect mix of Western as well as Middle East influences. From sharp tailored garments to clean-cut silhouettes, a lot of attention was given to exquisite detail and craftsmanship. Cap-sleeved metallic shirts with crystal embellishments were perfectly paired with pencil skirts and patent brogues. Tunic dresses and fitted pants were perfectly paired with embellished capes and floor-length skirts. Floral prints and metallic garments were amalgamated with an interesting color palette that included solid pastels like aubergine, silver, steel grey, black and cobalt blue.

The first thing that would strike you while viewing Son Jung Wan would definitely be the colors. Bright Orange, metallic gold, violet, greys and dull blues in an assortment of silhouettes were presented on the runway. There was no scarcity of fur and in matching colors when it came to Wan’s show. Long coats, short coats with matching shearling trims metallic dresses stood out among the garments showcased. Pointed-toe platforms complemented the bright and edgy ensembles. It also had a hint of the retro hints of the 70s in terms of color palate and silhouettes.

Mara Hoffman’sFall collection was all about geometric shapes and linear patterned lines. Plunging dresses and casual jumpsuits were worn under suede overcoats and fringed cabans. Striped kaftans, built-up necks and off-shoulder tunics were the standouts of this show. A lot of monochromatic colors were used to design the sensual garments and models were mostly drenched in pastels like black, dusty grey, white and ancient gold with hints of red and deep blue.

Hervé Léger by Max Azria’s collection had a minimal color palate of neutrals like black, white, grey and a touch of dull sea-blue. The garment started with a showcase of fitted short dresses with triangular elements in terms of sleeves and cuts moving towards abstract print and edgier looks with metallic embellishments. The overall look merged feminine looks with a modern edge.

Moving on, Idan Cohen, the Israeli-based designer showcased a collection that portrayed the epitome of luxury and was truly crafted to cater the red carpet celebrities. A-line dresses and strapless gowns were loaded with intricate embroidery and crystal embellishments. A lot of attention was paid to the body conscious cuts that made each garment ooze of an uber-cool sensuality. Halter-neck floor-length gowns with keyhole necklines and flared kaftans were richly crafted from a sheer material that brought a certain amount of airiness and lightness to the whole collection. The color palette consisted of sober pastels like peach, dark blue, metallic grey and smoky black.

Lastly, the students of Academy of Art University showcased a collection that was clean, refined and modern in every possible way. Ruffled silk dresses with exaggerated shoulders were worn with fur overcoats and strappy peep-toe sandals. Classic leather bombers and floral capes were worn beneath skinny leather pants that bought a little ‘rock n roll’ effect to the whole show. Guys wore striped suits and knitted joggers and perfectly accessorized with sporty sneakers. The color palette consisted of bright tones of cobalt blue, purple, black, ombré and steel grey.

Day four of NYFW had designers going down retro routes of the 70s. Son Jung Wan’s fantasies with fur and metallic, Lacoste’s sporty looks and Hervé Léger’s modern elegance definitely upped the fashion scene for Fall NYFW.