René François Ghislain Magritte, born on 21 November was a Belgian surrealist artist. He became well known for a number of witty and thought-provoking images. His work challenges observers’ preconditioned perceptions of reality. One of the most renowned and popular artists of the 20th century,starting November 9, 2011& untill Feb 2012, the Albertina presents an exhibition of René Magritte. A selection of more than 150 works from around the world cover every creative phase of the artist, retracing Magritte’s artistic career.
Conceived in collaboration with the Tate Liverpool, the exhibition addresses hitherto little-explored aspects of Magritte’s life and artistic activity. It focused on his use of patterns and recurring objects, the subject of covering and unveiling, visual breaks and eroticism in his oeuvre. On the basis of Magritte’s most important works and early commercial pieces, the exhibition examines the connection between the artist’s paintings and his work for the advertising industry as well as the influence of pop culture.
Magritte’s earliest paintings, which date from about 1915, were Impressionistic in style.[2] From 1916 to 1918, he studied at the Académie Royale des Beaux-Arts in Brussels.The paintings he produced during the years 1918–1924 were influenced by Futurism and by the offshoot of Cubism. His work was exhibited in the United States in New York in 1936 and again in that city in two retrospective exhibitions, one at the Museum of Modern Art in 1965, and the other at the Metropolitan Museum of Art in 1992.
“It is a union that suggests the essential mystery of the world. Art for me is not an end in itself, but a means of evoking that mystery. ”
– René Magritte –
Magritte died of pancreatic cancer on 15 August 1967 in his own bed, aged 68, and was interred in Schaerbeek Cemetery, Evere, Brussels. There was made a permanent museum dedicated to him and the Magritte Museum opened to the public on 30 May 2009 in Brussels.
Posted by : Amal Kiran Jana from Vienna, Austria at 04:15PM
Being a symbol of auspice in Hinduism, which Nazis adopted later but with a tilt, and a backwards Swastika connoting eternity in Buddhism, now in common perception stands for hatred in the world. The symbolism of late tempested fashion territory when a jewellery shop in Brooklyn, New York had to take off the Swastika earrings, which it was selling like pancakes, on being tagged as offensive.
A small accessories store named, Bejeweled, found itself under criticism when bloggers and reviewers across the region damned the 6 $ earrings. Local authorities had to intervene and asked the store to immediately stop the sales of such a provocative and hateful item.
Designer Kiran Uttam Ghosh has come up with a vivid range of saris in twisted forms for her prêt line- Chiconomics. Her new line up demonstrates a very unique chronicle. The creation has been enforced with an attempt to suit the new economics of design producing wearable signature evening garb that proffers a dazzling appeal but in a subtle manner.
Her exclusive ethnic range illustrates a peerless playful grace with an absolute contemporary approach. Kiran has implemented the cutting edge technique to blend her saris in a twisted pattern. Fabrics like georgettes, chiffons and satin has been fused to construct the saris. The saris are extremely light weighted and tends to bring a liquefied appeal, giving the chic and the urbane women of today the simplicity and drama of a well cut ensemble with sensual understated sexy zipped-edges and heat pressed pleat. The collection is entirely based on the hues of bright acid shades like orange, lime green and coral along with an additional mellow jewel-toned range. The signature cuts and sutures of the designer are well noticeable in her new designs.
The designer’s Prêt line has been acclaimed by the entire fraternity endorsing fashion.
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